Wednesday, October 17, 2012

Study: The Death Bed

Joseph Dionysius Odevaere. Lord Byron on his Death-Bed. 1826. French Neo-Classicism.

Joseph Dionysius Odevaere. Death of Phocion. 1804. French Neo-Classicism. 

Jacques-Louis David. Death of Socrates. 1787. Neo-Classicism.

Henry-Joseph de Forestier. La mort de Jacob. 1813. Neo-Classicism.


Jean-Pierre Granger. Antiochus renvoie son fils à Scipion. 1800. Neo-Classicism.

 Claude Monet. Camille Monet on her Death Bed. 1879. Impressionism.
Jerome-Martin Langlois. Priam at the Feet of Achilles. 1809.

Dmitri Belyukin. Portrait of Tsar Nicholas II, Tsaritsa Alexandra Feodorovna and Grand Duchess Elizabeth Feodorovna. 1993.

 Rembrandt. Diana Bathing With Her Nymphs, With The Stories Of Actaeon And Callisto. 1634.

Bartolomeo Manfredi. Mars Chastising Cupid. 1613.

Jean-Louis-Ernest Meissonier. The End of the Game of Card. c. 1870.

Michel-Martin Drolling. La colère d'Achille. 1810.

Monday, October 1, 2012

Study: Body I

























Pablo Picasso. Woman Ironing. 1904.

Pablo Picasso. Boy Leading a Horse. 1905-1906.

Marcel Duchamp. Nude Study: Sad Young Man in a Train. 1911-1912.
Duchamp’s primary concern in this painting is the depiction of two movements, that of the train in which we observe the young man smoking and that of the lurching figure itself. The forward motion of the train is suggested by the multiplication of the lines and volumes of the figure, a semitransparent form through which we can see windows, themselves transparent and presumably presenting a blurred, “moving” landscape. The independent sideways motion of the figure is represented by a directionally contrary series of repetitions. These two series of replications suggest the multiple images of chronophotography, which Duchamp acknowledged as an influence, and the related ideas of the Italian Futurists, of which he was at least aware by this time. Here he uses the device not only to illustrate movement, but also to integrate the young man with his murky surroundings, which with his swaying, drooping pose contribute to the air of melancholy. [x]
Marcel Duchamp. Nude Descending a Staircase, No. 2. 1912.

Sunday, September 30, 2012

Jean-Louis André Théodore Géricault (Part I)

Jean-Louis André Théodore Géricault. Le Radeau de la Méduse. 1818-1819.


Jean-Louis André Théodore Géricault. Study of Feet and Hands. 1818-1819.


Jean-Louis André Théodore Géricault. Heads of Torture Victims. 1818-1819.


Jean-Louis André Théodore Géricault. The Study for The Raft of the Medusa. 1818-1819.


Jean-Louis André Théodore Géricault. Scene of the Deluge. 1818-1820. 


Jean-Louis André Théodore Géricault. Portrait of a Negro. 1823-1824.


Jean-Louis André Théodore Géricault. Nude Warrior with a Spear. 1816.


























Jean-Louis André Théodore Géricault. The Wounded Officer of the Imperial Guard Leaving the Battlefield. 1814.


Sir Lawrence Alma-Tadema

Sir Lawrence Alma-Tadema. Spring. 1894.

Sir Lawrence Alma-Tadema. The Roses of Heliogabalus. 1888.

Sir Lawrence Alma-Tadema. Sappho and Alcaeus. 1881. 

Sir Lawrence Alma-Tadema. Silver Favourites. 1903.

Sir Lawrence Alma-Tadema. A Roman Garden. 1878.

Sir Lawrence Alma-Tadema. A Lover of Art. 1868.

Sir Lawrence Alma-Tadema. Dealer in Statues. 1867.

Sir Lawrence Alma-Tadema. Expectations. 1885.

Sir Lawrence Alma-Tadema. Roman Emperor Claudius. 1881.

Sir Lawrence Alma-Tadema. Ask Me No More. 1906.

Sir Lawrence Alma-Tadema. Study of a Left Hand and Arm. 1901.

Tuesday, September 25, 2012

State of things.


Caspar David Friedrich and the Sublime

Caspar David Friedrich. Abtei im Eichwald (Abbey Among Oak Trees). 1808-1810.

 Caspar David Friedrich. Der Mönch am Meer. 1808-10.

 Caspar David Friedrich. Der Chasseur im Walde (The Chasseur in the Forest). 1814.

Caspar David Friedrich. Der Wanderer über dem Nebelmeer (The Wanderer Above the Sea of Fog). 1818.

Caspar David Friedrich. Kreidefelsen auf Rügen (Chalk Cliffs on Rügen). 1818.

Caspar David Friedrich. Frau am Fenster (Woman at a Window). 1822.

Caspar David Friedrich. Mann und Frau den Mond betrachtend (Man and Woman Contemplating the Moon). 1830-1835.

Caspar David Friedrich. Küste bei Mondschein (Sea Shore in Moonlight). 1835-1836.    

Monday, September 24, 2012

William-Adolphe Bouguereau

William-Adolphe Bouguereau. Dante et Virgile au Enfers. 1850.

William-Adolphe Bouguereau. Nymphs and Satyr. 1873.

William-Adolphe Bouguereau. The Birth of Venus. 1879.

William-Adolphe Bouguereau. Humeur nocturne. 1882. 


William-Adolphe Bouguereau. Premier Deuil. 1888.

 William-Adolphe Bouguereau. Pastourelle. 1889.